As theatres close, John Nathan sees one last show
Jennifer Saunders' performance as medium Madame Arcati may be the comic performance of the year, says John Nathan
By John NAthan
A scandal can't spoil Swan Lake, says Joy Sable
By Joy Sable
What if the Almighty were to see this version of the Exodus?
By John Nathan
After 20 years of stand up, Josh Howie has his first acting role, in a new sitcom about a Jewish newspaper
By Keren David
The playwright's new book traces his theatrical career. In this extract he recalls the East End upbringing that inspired his first play
By Steven Berkoff
John Nathan enjoys a high school musical about teenage angst
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A moving account in dance of the life of Jacqueling Du Pre and a celebration of pure dance make an enjoyable double bill
'This is the play that Stoppard could never have envisaged writing before he discovered in late-ish middle age that his Jewish roots were far stronger and deeper than he ever imagined.'
Two stars take away the bleakness in Beckett
His musical Wicked is a massive hit. Now Stephen Schwartz is back in London for the premiere of The Prince of Egypt, his musical take on Exodus
Muddled thinking mars this production of Chekhov's classic, says John Nathan
Earplugs at the ready, Joy Sable ventured to the latest production from Israeli choreographer Sharon Eyal
The latest 'Goes Wrong' production has much that goes right, says John Nathan
By john nathan
The playwright has never explored his own Jewish background in his plays. He tells John Nathan why that has changed.
Strong emotions are roused in this Royal Ballet production